A production designer named Anton Furst - for all Nolan's sleek updated skyscraper/ scumridden duality in the new Gotham, nothing matches the sheer Gothic power of what Furst achieved for Burton, his designs lending the film a truly idiosyncratic air (this is after all a comicbook world, yeah?)
And the cherry on the cake? Danny Elfman's thrilling score - Hans Zimmer and James Newton Howard's anonymous droning (despite a few high points) has nothing on Elfman's terrific central march and other excellent incidental pieces (among them the might of the Sinfonia of London Orchestra during the action scenes and a twisted waltz for The Joker). After all this is a superhero - he needs a theme, be it subtle or otherwise (Chris Nolan clearly mistook subtlety for anonymity)
Of course, Burton's vision has nothing on The Dark Knight...but that's another story
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